International seminar Photography – Museum Narratives
On 14-15 October 2013, the National Museum in Warsaw is going to host the international seminar Photography – Museum Narratives. The seminar is organized by the Archaeology of Photography Foundation, in collaboration with the National Museum in Warsaw and the National Institute of Museology and Collections Protection. The aim of the conference is to investigate the position of photography within contemporary museum institutions and to determine the function and premises of photography museums. This event will bring forth an opportunity to become acquainted with histories of photographic collections and acquiring strategies of institutions such as: Museum of Modern Art (NYC), Getty Museum (LA), Art Institute of Chicago, Musée Nicéphore Niépce (Chalon-sur-Saône) , Musée de l'Élysée (Lausanne), and Rosphoto (St. Petersburg).
Photography has been present in museums ever since its invention, however, the methods of collecting it its status within the museum collections changed drastically over the course of the last 170 years. The museum institutions and curators have played an important role in shaping the history of photography and are responsible for the fact that it is still very often perceived from the perspective of the medium. Nonetheless, both collecting— that is, the acquisition strategies — and making available to the public — that is, temporary and permanent displays — have defined photography as either closer to a technique, art, or to a document. These different statuses are still at play, though various museums adopt diverse methods of dealing with such pluralism. In some cases, photographs from all departments — library, iconography, art, and prints — are to be found in a single department of photography, responsible for acquisitions and all photography-related projects. Another model involves keeping the photographs in their original locations in the collection; yet another one focuses on challenging the media-based division and including the photographs in the general collection. In the context of the plans for establishing the first museum of photography in Warsaw, as a department of the National Museum in Warsaw, questions about the identity and significance of such an institution today, as well as the strategies for developing the collection, generating knowledge, and approach to the past and present, are of great relevance. Posing these questions to experienced curators of photographic collections from international museums, directors of museums of photography, as well as historians who critically examine these phenomena, can certainly create an interesting framework for the Warsaw undertaking.
The status of photography in museum collections is one of the topical issues of the session; the others involve the photographic museums — their history, strategies of collecting, development and shaping the history of photography. The questions addressed during the debate will concern, among others, the issue of defining photography as a technique, and later as an image, and the imbalanced relationship between these two perspectives; the approach to the estates and archives of photographers; conservation and preventive conservation. Equally important is the establishment of a methodological framework and consideration of the changes in conceptualizing the history of photography and in the shape of institutions devoted to it, at a time when the traditional media-based categories have been practically abolished.
The session aims to map the history of collections, exhibitions, and museums of photography which had a significant impact on the current shape of the world history of photography, the way it is defined, collected and excluded, the divisions that exist in its field, and the dynamics of change in the aforementioned areas, dependent on place, time, and (quite often local) histories and individuals.
Photography – Museum Narratives
Auditorium
National Museum in Warsaw
Al. Jerozolimskie 3
MONDAY 14 October
8.45 – 9.15 – registration
9.15 – 9.45 – opening remarks: Agnieszka Morawińska (director of the National Museum in Warsaw)
introduction: Karolina Ziębińska-Lewandowska (Archeology of Photography Foundation)
9.45 – 11.30 – panel I – moderated by Matthew Witkovsky
Jaroslav Anděl (DOX, Prague) – Narratives of Making and Collecting Photographs
Ulrich Pohlmann (Münchner Stadtmuseum, Munich) – On Reading and Understanding the Medium: Some Remarks about the Fotomuseum in Munich from 1963 to 2013
François Cheval (Musée Nicéphore Niépce, Chalon-sur-Saône) – Neither Fetish nor Vintage but the Photographic
11.30 – 11.45 – coffee break
11.45 – 13.00 – panel II
Sam Stourdzé (Musée de l'Elysée, Lausanne) – Collecting Photography, New Strategies
Martijn van den Broek (Nederlands Fotomuseum, Rotterdam) – The Collections of the Nederlands Fotomuseum in Rotterdam
13.00 – 14.00 – lunch break
14.00 – 15.15 – panel III – moderated by Virginia Heckert
Danuta Jackiewicz (National Museum in Warsaw) – Time for Photography! From a Photography Collection to the Museum of Photography, the National Museum in Warsaw Department
Matthew Witkovsky (Art Institute of Chicago) – Photography is Everywhere: Locating Photography in the Art Institute of Chicago, 1929-2009
15.15 – 15.30 – coffee break
15.30 – 17.00 – panel IV – moderated by Tamara Berghmans
Viktoria Tolpegina (RosPhoto, St. Petersburg) – ROSPHOTO – a Unique Centre of Photography in the Cultural Capital of Russia
Mark Robbins (International Center for Photography, New York) – Angel of History
TUESDAY 15 October
9.00 – 9.30 registration
9.30 – 11.15 – panel I – moderated by Jaroslav Anděl
Virginia Heckert (J.P. Getty Museum, Los Angeles) – Creating Contexts for Photography at the Getty Museum
Adam Mazur (independent curator and critic) – The Beginning and the End of the Photography Department
Quentin Bajac (Museum of Modern Art, New York) – John Szarkowski at MoMA, 1962-1991: a Critical Assessment
11.15 – 11.30 – coffee break
11.30 – 13.15 – panel II – moderated by Adam Mazur
Wojciech Nowicki (independent curator and critic) – The Mission and its Realization: The Museum of History of Photography in Kraków
Tamara Berghmans (FotoMuseum Provincie Antwerpen – FoMu) – Redefining the Museum – a Work in Progress
Antonella Fresa (EuropeanaPhotography) – European Ancient Photographic Vintage Repositories of Digitized Pictures of Historical Quality: Digitization and Contribution to Europeana
13.15 – 13.30 – coffee break
13.30 – 15.00 – roundtable and closing remarks
Chairs: Krzysztof Pijarski (Film School in Łódź), Karolina Ziębińska-Lewandowska (Archeology of Photography Foundation)
All talks will be interpreted simultaneously.
Participation is free of charge. In order to participate in the conference please register at: foto.narracje@gmail.com until 9th October. When registering, please state your full name, institutional affiliation, and the dates on which you wish to attend.
Concept: Karolina Ziębińska-Lewandowska
Cooperation: Anna Micińska
Organizers:
Archaeology of Photography Foundation
The National Museum in Warsaw
National Institute of Museology and Collection Protection: NIMOZ
Project financed by the National Centre for Culture within the framework of the Culture – Interventions programme
Sponsor:
United States of America Embassy
Partners:
Mercure Warszawa Grand Hotel
Netherlands Embassy in Warsaw
The Flemish Representation in Poland
Goethe-Institut
Pro Helvetia - Swiss Arts Council
Czech Centre
Media partnership:
Culture.Pl
Muzealnictwo.com
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